This is a painting made with a knife rather than a brush, and it wants you to know it. Sculptural ridges of paint stand proud of the canvas in chunky, overlapping square patches that read like a mosaic mid-collapse — pure white on the left giving way to golden yellow, then deep orange, then crimson red, before cool slate grey and charcoal close the right edge. Colour here is physical: each block carries its own cast shadow. Encased in a slim light-wood frame that keeps out of the way.
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